Key Features
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Built on a Iveco 7.5-ton chassis.
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3 separate seated galleries for Production, Engineering and Sound
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Air conditioning in each area
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HD workflow as standard (4K upgrade available on special request with suitable notice)
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Sony HDC-4300 Cameras as standard
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Perfect for broadcast studio shoots, corporate webcasts, festivals, broadcast sports and any other type of live event.
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Small footprint of 7.3m(L) x 2.8m(W) x 3.15m(H) enables it to be used in areas where much larger trucks are not suitable.
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Tender vehicles available: Renault Master LWB or VW Crafter MWB.
Production Gallery
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Three-person desk for Director, Vision Mixer and PA / Graphics. There is further room behind for two other people, such as a Producer and Prompt.
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For-a HVS-390 2 M/E Vision Mixer with 20 inputs, 4 keys per M/E, 6 Aux outputs
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3 x 24′ JVC switchable monitors (for multiview or other uses)
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2 x 21′ Ikegami switchable production monitors
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Audio monitoring via Genelec 8020B speakers
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3x Clear-Com V12LDX4Y-IP 12 level key panel, with loudspeaker output and open mic.
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Separate talkback channels for cameras, sound, engineering, IFB and external 2/4 wire
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Connections to a Mac computer for gallery control of VT playback, web encoding or graphics
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Vortex timecode clock
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Script lighting
Audio Booth
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Yamaha QL1
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Yamaha RIO rack - Dante 32 input 16 out
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Monitoring on Genelec 8020B speakers and Fostex 6301 for PFL & talkback
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Bantam 48-way jackfield for internal patching and externally via tailboard
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Clear-Com V12LDX4Y-IP 12 level key talkback panel
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Ikegami 21′ switchable video monitor with router panel
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Script lighting
Talkback
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9x Clear-Com V12LDX4Y-IP talkback panels
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Clear-Com Eclipse HX Delta Matrix
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Clear-com Freespeak II for wireless talkback (at extra cost)
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Motorola GP340 or SL2600 portable radios (with Kenwood and Tait base stations)
Engineering
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Two engineer seats
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8-camera CCU capable with tally, production / engineering talkback and switchable return feeds
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Fitted as standard with Sony HDCU-4300 (combined baseband/CCU) and Sony RCP-1500s for full engineering control with touchdowns.
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2 x 21” Sony OLED engineering broadcast monitors
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Tektronix WFM8300
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Blackmagic Videohub 40 x 40 router with hardware and software control
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2 x Blackmagic Smart Control panels
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Clear-Com V12LDX4Y-IP talkback is provided at each position with connections to all galleries & external 2/4 wire systems
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2 x Mac Minis VT playback (Mitti) and software control of all truck functions
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Variety of recording options to match production requirements and budget including: 8 channels of Softron MovieRecorder 4 with 8TB RAID 5 storage
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Blackmagic Hyperdeck Studio Pros (as standard)
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BMD Opengear Rack (containing Up/Down/Cross, A-D and D-A converters)
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Trilogy MentorXL timecode clock and Sync
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Sonifex RM-2S10 audio reference monitoring of all recordings and outputs
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Separate rear rack area with MUSA and other patch for all internal/external connections
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3 x external tailboard lockers containing all connections for power, cameras, video and audio
Cameras
The truck can be adapted to mix/match camera makes and models. Typically we supply:
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Sony HDC-4300 HD / 4K Cameras
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Sony EL75 OLED Viewfinders
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Canon XJ96, HJ40, HJ22 and HJ14 lenses
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Vinten tripods, Pro Peds and Osprey Elite Peds
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Canon long and box lenses
Digital Glue
We also regularly supply:
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Small and large production monitors
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RF wireless camera kits (Link L1700, Boxx)
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Audio equipment (mics, IEMs, remote boxes)
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Adapters and converters to handle most video and audio signal types
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PA systems for large and small events
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Specialist cameras e.g. jib, Polecam, Steadicam, track cameras
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EVS
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Graphics systems
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Live streaming